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It was early spring 2015 when we made our way into the forest to film a book trailer to promote Irina: The Trilogy, a new edition that contains all three adventures. We headed into our deep forest location, passing tall trees glittering with dabs of sunlight, with a crew, an actor, and a 'wolf.' We would see what Irina could look like on screen -- a dream realised.
Brigita was playing the role of Irina. In our makeshift outdoors change-room she put on a simple white dress and a crown of fern fronds, and became the wolf queen. And I felt that thrill of delight when something comes together, and looks right. This was magic. I'd dreamed of a book trailer hinting at enchantments and battles, the rewilding impulse of the present and the archetypal wisdom of fairytales from the past. But who could make a trailer suggesting this world? I approached film-maker friends, Annika Glac and Marcus Struzina of Glass Kingdom Films, who made the feature films Belladonna, and Bunny (glasskingdom.com.au) When they said they could do it on our budget, I was so excited! They understood the aesthetic -- not too pretty, not too Disney, but rough and beautiful and natural. This is how we once lived and how part of us yearns to live still. We gathered the elements. A real wolf was out of the question. Could we splice in some footage from somewhere? Hire someone’s husky? A white wolf would be good… And then we learned of a friend's stunning white dog who had been rescued, called Apollo. On the day of the shoot, we had to keep Apollo on a lead as he loves to run through the forest, and does not always come back! On the day, he seemed to accept his role by Brigita’s side, and he brought his wonderful, canine presence to the final film. We chose costumes from Rose Chong’s in Fitzroy, and made a wild crown. We found a magnificent tree to serve as a backdrop, and on our way we passed a patch of blue flowers so beautiful that Annika insisted we add an extra shot to our planned series. We had our main shot in front of the tree; another where Irina wears a royal cloak, the romantic field of blue flowers, and an image of the cell where Irina is trapped at the beginning of Irina and The Lost Book: Marcus had the inspired thought of shooting it after dusk, next to a small stone wall, lit from above. And what about the score? The amazingly talented Marcus and Annika composed something of their own, using bagpipes, which I absolutely loved for its evocation of an archaic, rustic atmosphere. My heartfelt thanks goes to Brigita, who plays Irina The Wolf Queen, to Adam -- and his dog, Apollo, for standing in as one of the wolves of Ragnor; to Annika and Marcus for inspiration, understanding and hours of work and their nephew Gulliver; to my friends Tony and Julia, son Amos and husband John, who carried heavy equipment in and out of the forest, and made ‘wind’ by using reflectors as great fans when the wind machine broke down! I hope you enjoy it. Watch the trailer: irinathetrilogy |
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“Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the Universe together into one garment for us.” Ray Chandler, Farenheit 451
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